Apple



Whether the Apple, the Orange, the Pomegranate, the Fig, the Banana, or the Grape was the actual fruit of the Tree of Knowledge, which tempted Eve in Paradise, will possibly never be settled; but it is certain that not only is the Apple mystical above all the fruits of the earth, but it is the supreme fruit. To it has been given the Latin name Pomona, which is the generic name of fruit, just as Pomona is the goddess of all the fruit trees.


The Scandinavian goddess Iduna is in a measure identified with the Tree of Immortality, which was an Apple tree. Iduna religiously guarded in a box the Apples which the gods, when they felt old age approaching, had only to taste the juice of to become young again, the evil genius Loki, having been instrumental in the abduction of Iduna and renovating Apples, the gods became old and infirm, and were unable properly to govern the world; they, therefore, threatened Loki with condign punishment unless he succeeded in bringing back Iduna and her mystic Apples: this he fortunately succeeded in doing.

The golden Apples which Juno presented to Jupiter on the day of their nuptials were places under the watchful care of a fearful dragon, in the garden of the Hesperides; and the obtaining of some of these Apples was one of the twelve labours of Hercules. By stooping to pick up three of these golden Apples presented by Venus to Hippomenes, Atalanta lost her race, but gained him as a husband. The fatal Apple – inscribed DETUR PULCHRIORI – thrown by the malevolent Discordia into the assembly of the gods, and which Paris adjudged to Venus, caused the ruin of Troy and infinite misfortune to the Greeks.

The Apple was sacred to Venus, who is often represented with the fruit in her hand. The Thebans worshipped Hercules, under the name of Melius, and offered Apples at his altar, the custom having, according to tradition, originated as follows: 

The river Asopus being once so swollen as to prevent some youths from bringing across it a sheep destined to be sacrificed to Hercules, one of them recollected that the Apple was called by the same name – Melon. In this emergency, therefore, it was determined to offer an Apple, with four little sticks stuck in it to resemble legs, as a substitute for a sheep; and it being deemed that the sacrifice was acceptable, the Apple was thenceforth devoted to Hercules.

The god Apollo was sometimes represented with an Apple in his hand.

The Celtic “Isle of the Blest,” the “far Avalon,” is the “Island of the Apples,”

“Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly, but it lies
Deep-meadowed, happy, fair with orchard lawns,
And bowery hollows crowned with Summer Sea.”

It has been attempted to localise the Island of Apples either at Glastonbury, in Somersetshire, or at Aiguilon, in Brittany. A Gaelic legend which asserts the claims of an island in Loch Awe to be identified as the Isle of the Blest, changes the mystic Apples into the fruit of the Pyrus cordata, a species of wild Pear, indigenous both to the Scotch Island and to Aiguilon.

The Druids highly reverenced the Apple-tree, partly on account of its fruit, but chiefly because they believed that the Mistletoe thrived on it and on the Oak only. In consequence of its reputed sanctity, therefore, the Apple was largely cultivated by the early Britons, and Glastonbury was known as the “Apple Orchard,” from the quantity of fruit grown there previous to the Roman invasion. The Druids were wont to cut their divining rods from the Apple tree.

The Saxons highly prized the Apple, and in many towns established a separate market for the fruit. The following sentence from their Coronation Benediction shows with what importance it was regarded: “May the Almighty bless thee with the blessing of heaven above, and the mountains and the valleys, with the blessings of the deep below, with the blessing of Grapes and Apples. Bless, O Lord, the courage of this Prince, and prosper the work of his hands; and by Thy blessing may this land be filled with Apples, with the fruit and dew of heaven, from the top of the ancient mountains, from the Apples of the eternal hills, from the fruits of the earth and its fullness.”

The old Saxon chronicles relate that before the battle of Senlac, King Harold pitched his camp beside the “hoar Apple tree” – evidently a well known object, that had doubtless preserved its quondam sacred character. Saint Serf, when on his way to Fife, threw his staff across the sea, from Inch Keith to Culross, and this staff, we are told, straightway took root and become the Apple-tree called Morglas.

Many ancient rites and ceremonies connected with this mystic tree are still practised in certain parts of the country, whilst others have of late become obsolete. In remote districts, the farmers and peasantry in Herefordshire, Devonshire, and Cornwall still preserve the ancient customs of saluting the Apple trees on Christmas Eve. In some places, the parishioners walk n procession visiting the principal orchards in the parish. In each orchard one tree is selected as the representative of the rest; this is saluted with a certain form of words, which have in them the air of an incantation, and then the tree is either sprinkled with cider, or a bowl of cider is dashed against it, to ensure its bearing plentifully the ensuing year. In other places, the farmer and his servants only assemble on the occasion, and after immersing cakes in cider, they hang them on the Apple trees. They then sprinkle the trees with cider, and encircling the largest, they chant the following toast three times:

“Here’s to thee, old Apple tree,
Whence thou may’st bud, and whence though may’st blow;
And whence though may’st bear Apples enow.
Hats full! Caps full!
Bushel, bushel, sacks full!
And my pockets full, too!
Huzza! Huzza!”

After this the men dance round the tree, and retire to the farmhouse to conclude, with copious draughts of cider, these solemn rites, which are undoubtedly relics of paganism.

In Sussex, the custom of ‘worsling’ or ‘wassailing Apple trees still exists. Formerly it took place, according to the locality, some time between Christmas Eve and Twelfth Day. The most popular wassail rhyme was similar to the above, but others were sung by the ‘howlers’. At Chailey this verse is used:

“Stand fast root, bear well top,
Pray the god send us a good howling crop.
Every twig, Apples big.
Every bough, Apples enow.
Hats full, caps full,
Full quarters, sacks full.”

In West Sussex, during Christmas, the farmer’s labourers assemble for the purpose of wassailing the Apple trees. A trumpeter sounds blasts on a bullock’s horn, and the party proceed to the orchard, where they encircle a tree or group of trees, and chant sonorously:
“Stand fast at root, bear well top,
Every twig, bear Apple big,
Every bough, bear Apple enow.”
A loud shout completes the ceremony, which is repeated till all the trees in the orchard have been encircled; after which the men proceed to the homestead, and sing at the owner’s door a song common for the occasion. They are then admitted, and partake of his hospitality.

At West Wickham, in Kent, a curious custom used to prevail in Rogation week. The young men went into the orchards, and, encircling each tree, said:

“Stand fast root, bear well top,
God send us a youling sop;
Every twig, Apple big;
Every bough, Apple enow.”

Cider was formerly not the only drink concocted from the Apple; another famous potation was called ‘Lambswool’, or more correctly, lamasool, the derivation of the word being the Celtic lamaesabhal – the day of Apple fruit. This appellation was given to the first day of November, dedicated in olden times to the titular saint of fruit and seeds. The Lambswool was composed of ale and roasted Apples, flavoured with sugar and spice; and a bowl of this beverage was drunk, with some ceremony, on the last night of October. Roasted Apples formed an important item in the composition of the famed wassail-bowl. Shakespeare probably alludes to this beverage in ‘A Midsummer Night’s Dream’; there we find the mischievous Puck saying:

“Sometimes I lurk in a gossip’s bowl,
In very likeness of a roasted Crab.”

In Sussex, the wassail-bowl was formerly made at Christmas time; it was compounded of ale, sugar, nutmeg, and roasted Apples, the latter being called Lambswool. On St. Clement’s day, in East Sussex, the custom exists of going round from house to house asking for Apples and beer: this is called Clemmening. A similar custom prevails on St. Catherine’s day, when the children sing a rhyme commencing:

“Cattern’ and Clemen’ be here, here, here,
Give us your Apples and give us your beer.”

In Lowland Scotland, there is an old charm still practised by village maidens on Hallow-e’en. It is to go alone into a room, and eat an Apple in from of a looking-glass, when the face of the future husband will appear looking over the maid’s shoulder.

In Scotland, on Hallow-e’en, Apples are thrown into a tub of water, and you endeavour to catch one in your mouth as they bob around in provoking fashion. When you have caught one, you peel it carefully, and pass the long strip of peel thrice sunwise round your head, after which you throw it over your shoulder, and it falls to the ground in the shape of the initial letter of your true love’s name.
In some places, on this mystic night, a stick is suspended horizontally from the ceiling, with a candle on one end and an Apple at the other. While it is made to revolve rapidly, the revellers successively leap up, and endeavour to grasp the Apple with their teeth (the hands must not be used); if they fail, the candle generally swings round in time to salute them disagreeably. Another amusement is to dive for Apples in a tub of water.

In Sussex, on this eve, every person present fastens as Apple on a string, and hangs and twirls it before the fire. The owner of the Apple that first falls off is declared to be upon the point of marriage; and as they fall successively, the order in which the rest of the party will attain to matrimonial honours is clearly indicated, single blessedness being the lost of the one whose Apple is the last to drop.

The custom of throwing the peel of and Apple over the head, marriage or celibacy being foretold by its remaining whole or breaking, is well known, as is also that of finding a peel so cast the initial of the coming sweetheart.

Mr. Dyer, in his ‘English Folklore’, details a form of divination by means of an Apple-pip:
“In Lancashire, in order to ascertain the abode of a lover, the anxious inquirer moves round in a circle, at the same time squeezing an Apple-pippin between his finger and thumb. This, on being subjected to pressure, flies from the rind, in the supposed direction of the lover’s residence. 

Meanwhile, the following rhyme is repeated:

“Pippin, pippin, paradise,
Tell me where my true love lies;
East, west, north, and south,
Pilling brig or Cocker mouth.”

It was formerly customary for Apples to be blessed by priests on July 25th; and in the manual of the Church of Sarum is preserved an especial form for this purpose. In Derbyshire, there is a saying that if the sun shines through the trees on Christmas Day, it ensures a good crop. In Northamptonshire, if the Apple tree should bloom after the fruit is ripe, it is regarded as a sure omen of death. In the Apple growing districts, there is an old saying that if it rains on St. Swithin’s day, it is the Saint christening the Apples.

De Gubernatis, in his ‘Mythologie des Plantes’, gives several curious customs connected with the Apple, which are still extant in foreign countries. In Serbia, when a maiden accepts from her lover an Apple, she is engaged. In Hungary, a betrothed maiden, after having received from her lover the ‘engaged’ ring, presents him with an Apple, the special symbol of all nuptial gifts. Young Greek girls never cease to invoke, upon marriage, the golden Apple. In Sicily, when a young man is in love, he presents the object of his affections with a love Apple. At Mount San Giuliano, in Sicily, on St. John’s day, every young girl throws from the window of her room an Apple into the street, and watches to see who picks it up: should a woman do so, it is a sign that the maiden will not be married during the year; if the Apple is only looked at and not touched, it signifies that the maiden, after her marriage, will soon become a widow: if the first person passing is a priest, the young girl will die a virgin. In Montenegro, the mother-in-law presents an Apple to the young bride, who must try and throw it on the roof of her husband’s house; if the Apple falls on the roof, the marriage will be blest, that is to say there will be children. At Taranto, in Southern Italy, at the wedding breakfast, when the Apples are introduced, each guest takes one, and having pierced it with a knife, places a piece of silver money into the incision: then all the Apples are offered to the young bride, who bites each, and takes out the money.

In a Roumanian legend, the infant Jesus, in the arms of the blessed Virgin, becomes restless, will not go to sleep, and begins to cry. The Virgin, to calm the Holy Child, gives Him two Apples. The infant throws one upwards, and it becomes the Moon; He then throws the second, and it becomes the Sun. After this exploit, the Virgin Mary addresses Him and foretells that He will become the Lord of Heaven.

In old pictures of St. Dorothea, the virgin martyr is represented with a basket containing Apples and Roses: this is in allusion to the legend of her death, which tells that as Dorothea was being led forth to martyrdom, Theophilus, a lawyer, mockingly bade her send him fruits and flowers from Paradise. Dorothea inclining her head, said, “Thy request, O Theophilus, is granted!” Whereat he laughed aloud with his companions, but she went on cheerfully to death. Arrived at the place of execution, she knelt down and prayed; and suddenly there appeared at her side a beautiful boy, with hair bright as sunbeams. In his hand he held a basket containing three Apples and three fresh-gathered and fragrant Roses. She said to him, “Carry these to Theophilus, and say that Dorothea hath sent them, and that I go before him to the garden whence they came, and await him there.” With these words she bent her neck, and received the death-stroke. Meantime, the angelic boy sought Theophilus, and placed before him the basket of celestial fruit and flowers, saying, “Dorothea sends thee these,” and vanished. Struck by the marvellous incident, Theophilus tasted of the heavenly fruit, and commenced a new life, following in Dorothea’s footsteps, and eventually obtaining the crown of martyrdom.

Mr. Dyer quotes the following from ‘Notes & Queries’: “In South-east Devon and the neighbourhood, a curious legend is, we learn, current among the farmers respecting St. Dunstan and the Apple trees. It is said that he bought up a quantity of Barley, and therewith made beer. The Devil, knowing that the Saint would naturally desire to get a good sale for his beer, which he had just brewed, went to him and said, that if he would sell himself to him, the he (the Devil) would go and blight the Apple-trees, so that there should be no cider, and, consequently there would be a far greater demand for beer. St. Dunstan, naturally wishing to drive a brisk trade in his beer, accepted the offer at once; but stipulated that the trees should be blighted in three days, which days fell on the 17th, 19th and 19th of May. In the almanacs, the 10th is marked as St. Dunstan’s Day and as about this time the Apple-trees are in blossom, many anxious allusions are generally made to St. Dunstan; and should, as is sometimes the case, a sharp frost nip the Apple-blossoms, they believe they know who has been at the bottom of the mischief. There seems to be several versions of this legendary superstition. 

According to some, on a certain night in June, three powerful witches pass through the air, and if they drop certain charms on the blossoming orchards, the crops will be blighted. In other parts of the country, this is known as ‘Frankum’s Night,’ and the story is, that long ago, on this night, one Frankum made ‘a sacrifice’ in his orchard, with the object of getting a specially fine crop. His spells were answered by blight; and the night is thus regarded as most critical.”

In a Polish legend, derived doubtless from the myth of the Hesperides, the hawk takes the place of the dragon. A young princess, through magic, is shut up in a golden castle situated on a mountain of ice: before the castle she finds an Apple-tree bearing golden Apples. No one is able to come to this castle. Whenever a cavalier ascends the side of the ice mountain in order to release the princess, the hawk darts down and blinds his horse,  and both horse and rider are precipitated down the abyss. At length the appointed hero arrives, slays the hawk, gathers the golden Apples, and delivers the princess.
According to a Hanoverian legend, a young girl descends tot the infernal regions by means of a staircase, which she discovers under an Apple-tree growing at the back of the house. She sees a garden, where the sun seems to shine more brightly than on earth; the trees are blossoming or are leaded with fruit. The damsel fills her apron with Apples, which become golden when she returns to earth.

In the popular tales of all countries, the Apple is represented as the magical fruit par excellence. The Celtic priests held the Apple sacred, and in Gaelic, Norse, German and Italian stories it is constantly introduced as a mysterious and enchanted fruit. Mr. Campbell, in the introduction to his ‘Tales of the West Highlands’, points out that when the hero wishes to pass from Islay to Ireland, he pulls out sixteen Apples and throws them into the sea one after another, and he steps from one to the other. When the giant’s daughter runs away with the king’s son, she cuts an Apple into a mystical number of small bits, and each bit talks. When she kills the giant, she puts an Apple under the hoof of the magic filly, and he dies, for his life is the Apple, and it is crushed. When the byre is cleansed, it is so clean, that a golden Apple would run from end to end and never raise a stain. There is a Gruagach who has a golden Apple, which is thrown at all comers, who, if they fail to catch it, die. When it is caught and thrown back by the hero, Gruagach an Ubhail dies. There is a certain game called cluich an ubhail – the Apple play – which seems to have been a deadly game. When the king’s daughter transports the soldier to the green island on the magic table-cloth, he finds magic Apples which transform him, and others which cure him, and by which he transforms the cruel princess, and recovers his magic treasures. When the two eldest idle king’s sons go out to herd the giant’s cattle, they find and Apple-tree whose fruit moves up and down as they vainly strive to pluck it; in fact, in all Gaelic stories, the Apple when introduced has something marvellous about it.

So, in the German, in the ‘Man of Iron’, a princess throws a golden Apple as a prize, which the hero catches three times, and carries off, and wins. In ‘Snow White’, there the poisoned comb occurs; there is a poisoned magic Apple also. In the ‘Old Griffin’, the rich princess is cured by rosy-cheeked Apples. In the ‘White Snake’ a servant who  understands the voice of birds, helps creatures in distress, gets them aid and procures golden Apples from three ravens which fly over the sea to the end of the world, where stands the tree of life. When he had got the Apple, he and the princess eat it and marry. Again, in the ‘Wonderful Hares’ a golden Apple is the gift for which the finder is to gain a princess; and that Apple grew on a tree, the sole one of its kind.

In Norse it is the same: the princess on the glass mountain held three golden Apples in her lap, and he who could ride up the hill and carry off the Apples was to win the prize; and the princess rolled them down to the hero, and they rolled into his shoe. The good girl plucked the Apples from the tree which spoke to her when she went down the well to the underground world; but the ill-tempered step-sister thrashed down the fruit; and when the time of the trial came, the Apple-tree played its part and protected the poor girl.

In a French tale, a singing Apple is one of the marvels which Princess Belle Etoile and her brothers and her cousin bring from the end of the world. In an Italian story, a lady when she has lost her husband goes off to the Atlantic Ocean with three golden Apples; and the mermaid who has swallowed the husband  shows first his head, then his body to the waist, and then to the knees, each time for a golden Apple. Then, finally, in the ‘Arabian Nights’ there is a long story, called the Three Apples, which turns upon the theft of one, which was considered to have been of priceless value.

The Apple-blossom is considered to be an emblem of preference. To dream of Apples betokens long life, success in trade, and a lover’s faithfulness.

Source : Plant Lore, Legends and Lyrics – 1892 – Richard Folkard

Hazel



The Hazel is the theme of many traditions, reaching from the remotest ages, and in England the tree would seem to have acquired almost a sacred character. In Scandinavian mythology the Hazel was consecrated to the god Thor, and in the poetic Edda a staff of Hazel is mentioned as a symbol of authority, and hence employed for the sceptres of kings.

In classic mythology, the Hazel rod becomes the caduceus of the god Mercury. Taking pity on the miserable, barbarous state of mankind, Apollo and Mercury interchanged presents and descended to the earth. The god of Harmony received from the son of Maia the shell of a tortoise, out of which he had constructed a lyre, and gave him in exchange a Hazel stick, which had the power of imparting a love of virtue and of calming the passion and hatred of men. Armed with the Hazel wand, Mercury moved among the people of earth, and touching them with it, he taught them to express their thoughts in words, and awakened within them feelings of patriotism, filial love, and reverence of the gods. Adorned with two light wings, and entwined with serpents, the Hazel rod of Mercury is still the emblem of peace and commerce.

An old tradition tells us that God, when He banished Adam from the terrestrial Paradise, gave him in His mercy the power of producing instantly the animals of which he was in want, upon striking the sea with a Hazel rod. One day Adam tried this, and produced the sheep. Eve was desirous of imitating him, but her stroke of the Hazel rod brought forth the wolf, which at once attacked the sheep. Adam hastened to regain salutary instrument, and produced the dog, which conquered the wolf.

A Hebrew legend states the Eve, after eating the forbidden fruit, hid herself in the foliage of a Hazel-bush.

It was a Hazel tree which afforded shelter to the Virgin Mary, surprised by a storm, whilst on her way to visit St. Elizabeth. Under a Hazel tree the Holy Family rested during their flight into Egypt.

It was of wattled Hazel hurdles that St Joseph, of Arimathea, raised the first English Christian church at Glastonbury.

In Bohemia, a certain ‘chapel in the Hazel tree’ dedicated to the Virgin Mary, is regarded with much reverence: it was erected in memory of a butcher to whom a statue of the Virgin, near a Hazel tree, had spoken.

For the ancient Germans, the Hazel tree, which re-blossoms towards the end of winter, was a type of immortality. It is now considered a symbol of happy marriages, because the Nuts are seen on its branches united in pairs.

In the Black Forest, the leader of a marriage procession carries a Hazel wand in his hand. In some places, during certain processions on Sunday, the Oats stored in stables for horses are touched, in the name of God, with Hazel branches.

It is believed that this humble shrub frightens serpents. An Irish tradition relates the St. Patrick held a rod of Hazel wood in his hand when he gathered on the promontory of Cruachan Phadraig all the venomous reptiles of the island and cast them into the sea.

The Hazel rod or staff appears in olden times to have had peculiar sanctity: it was used by pilgrims, and often deposited in churches, or kept as a precious relic, and buried with its owner. Several such Hazel staffs have been found in Hereford Cathedral.

The Tyroleans consider that a Hazel bough is an excellent lightning conductor.

According to an ancient Hebrew tradition, the wands of magicians were made of Hazel, and of a virgin branch, that is, of a bough quite bare and destitute of sprigs or secondary branches.

Nork says that by means of Hazel rods witches can be compelled to restore to animals and plants the fecundity which they had previously taken from them.

Pliny states that Hazel wands assist the discovery of subterranean springs; and in Italy, to the present day, they are believed to act as divining rods for the discovery of hidden treasure – a belief formerly held in England, if we may judge from the following lines by S.Shepherd (1600) :

“Some sorcerers do boast that they have a rod,
Gather’d with words and sacrifice,
And, borne aloft, will strangely nod
To hidden treasure where it lies.”

Extraordinary and special conditions are necessary to ensure success in the cutting of a divining rod. It must always be performed after sunset and before sunrise, and only on certain nights, among which are specified those of Good Friday, Epiphany, Shrove Friday, and St John’s Day, the first night of a new moon, or that preceding it. In cutting it, one must face the east, so that the rod shall be one which catches the first rays of the morning sun; or, as some say, the eastern and western sun must shine through the fork of the rod, otherwise it will be valueless. Both in France and England, the divining rod is much more commonly employed at the present time than is generally supposed. In the eighteenth century its use was ably advocated by De Thouvenel in France, and soon afterwards in our country by enthusiasts. Pryce, in his ‘Minerologia Cornubiensis’ states that many mines have been discovered by means of the rod, and quotes several. 

Sir Thomas Browne describes the divining rod as “a forked Hazel, commonly called Moses’ Rod, which, held freely forth, will stir and play if any mine be under it.” He thinks, however, that the rod is of pagan origin, and writes: “the ground whereof were the magical rods in poets – that of Pallas, in Homer; that of Mercury, that charmed Argus; and that of Circe, which transformed the followers of Ulysses: too boldly usurping the name of Moses’s rod; from which, notwithstanding, and that of Aaron, were probably occasioned the fables of all the rest. For that of Moses must needs be famous to the Egyptians, and that of Aaron unto many other nations, as being preserved in the Ark until the destruction of the Temple built by Solomon.” 

In the ‘Quarterly Review’ |No. 44, is a long account (vouched for by the editor) proving that a Lady Noel possessed the faculty of using the divining rod: “ She took a thin forked Hazel twig, about sixteen inches long, and held it by the end, the joint pointing downwards. When she came to the place where the water was under the ground, the Hazel twig immediately bent, and the motion was more or less rapid as she approached or withdrew from the spring. When just over it, the twig turned so quick as to snap, breaking near the fingers, which by pressing it were indented and heated, and almost blistered; a degree of agitation was also visible in her face. The exercise of the faculty is independent of any volition.”

The use of the forked Hazel twig as a divining rod to discover metals is said to have been known in this kingdom as early as the days of Agricola: its derivation is probably to be sought in an ancient custom of the Israelites, to which the Prophet Hosea alludes when he says: “My people ask counsel at their stocks, and their staff declareth unto them.”

In Sweden, Hazel nuts are believed to have the mystical power of making invisible.

To dream of Hazels, and of cracking and eating their Nuts, portends riches and content as the reward of toil. To dream of finding hidden Hazelnuts predicts the finding of treasure.

Astrologers assign the Hazel to the dominion of Mercury.

 Source : Plant Lore, Legends and Lyrics – 1892 – Richard Folkard

Birch




According to Scandinavian mythology, the Birch was consecrated to the god Thor, and symbolised the return of Spring. The Greeks and Romans had not much knowledge of the tree, but the latter seem to have regarded it with a feeling of dread in consequence of the fasces of the magistracy being composed of it, as now, says Evelyn, “are the gentler rods of our tyrannical pedagogues for lighter faults.” According to Pliny, the celebrated books which Numa Pompilius composed seven hundred years before Christ, and which were buried with him, were written on the bark of the Birch tree.

It is in the northern countries of Europe that the Birch flourishes, and it is there the tree is held in the highest esteem. The Russians have a proverb that the Birch excels in four qualities: it gives light to the world (with Birch-boughs torches are made); it stifles cries (from Birch they extracted a lubricant which they apply to the wheels of carriages); it cleanses (in Russian baths, to promote perspiration, they scourge the body with branches of Birch); it cures diseases (by incision they obtain a liquor stated to have all the virtues of the spirit of salt, and from which a wine is distilled, excellent as a cordial and useful in cases of consumption). Moreover, in Russia, the oil of the Birch is used as a vermifuge and a balsam in the cure of wounds. No wonder then, that the Russians are very fond of the Birch and surround their dwellings with it; believing, as they do, that this tree is never struck by lightning.

On the Day of Pentecost, it is a custom among young Russian maidens to suspend garlands on the trees they love best, and they are careful to tie round the stems of the Birch-trees a little red ribbon as a charm to cause them to flourish and to protect them from the Evil Eye. De Gubernatis quotes from a Russian author named Afanassief, who tells us of a Birch that showed its appreciation of the kindly attentions of a young girl in decking its stem, by protecting her form the persecutions of a witch, who had become her step-mother; and the same author makes mention of a certain white Birch, which grew in the island of Buian, on the topmost of whose branches it was currently believed the Mother of God might be seen sitting.
 
Grohmann, a German writer, recounts the legend of a young shepherdess, who was spinning in the midst of a forest of Birch trees, when suddenly the Wild Woman of the forest accosted her. The Wild Woman was dressed in white, and had a garland of flowers upon her head: she persuaded the shepherdess to dance with her, and for three days kept up the dance until sunset, but so lightly that the grass under her feet was neither trampled upon nor bent. At the conclusion of the dance, all the yarn was spun and the Wild Woman was so satisfied that she filled the pocket of the little shepherdess with Birch leaves, which soon turned into golden money.

Professor Mannhardt, says De Gubernatis, divulges to use the means employed by the Russian peasants to evoke the Lieschi, or Geni of the forest. They cut down some very young Birch trees and arrange them in a circle in such a manner that the points shall be turned towards the middle: they enter this circle, and then they call up the spirit, who forthwith makes his appearance. They place him on the stump of one of the felled trees, with his face turned towards the East. They kiss his hand, and, whilst looking between his legs, they utter these words: “Uncle Lieschi, show yourself to us, not as a grey wolf, not as a fierce fire, but as I myself appear.” Then the leaves of the Aspen quiver and tremble, and the Lieschi shows himself in human form, and is quite disposed to render no matter what service to him who has conjured him – provided only that he will promise him his soul.

De Gubernatis relates one other anecdote respecting the Birch, which he says to the Esthonian is the living personification of his country. It is related that an Esthonian peasant noticed a stranger asleep beneath a tree at the moment when it was struck by lightning. He awoke him. The stranger, thanking him for his good offices, said, “When, far from your native country, and feeling sorrowful and homesick, you shall see a crooked Birch, strike and ask of it: ‘Is the crooked one at home?’ “ One day the peasant, who had become a soldier, serving in Finland, felt dispirited and unhappy, for he could not help thinking of his home and the little ones he had left behind. Suddenly he sees the crooked Birch! He strikes it, and asks: “Is the crooked one at home?” forthwith the mysterious stranger appears and, calling to one of his spirits, bids him instantly transport the soldier to his native country, with his knapsack full of silver. 

In France, it was in medieval times the custom to preserve a bough of the Birch as a sacred object. In the country districts around Valenciennes, it is an old custom for a lover to hand a bough of Birch or Hornbeam over the doorway of his lady-love. In Haute Bretagne, as a charm to strengthen a weakly infant, they place in its cot Birch leaves which have been previously dried in an oven. There is an old English proverb; “Birchen twigs break no bones,” which has reference to the exceedingly slender branches of the tree.

In former days, churches were decked with boughs of the Birch, and Gerarde tells us that “it serveth well to the decking up of houses, and banqueting rooms, for places of pleasure, and for beautifying of streets in the crosse and gang (procession) weeke, and such like.” According to Herrick, it was customary to use Birch and fresh flowers for decorative purposes at Whitsuntide:

“When Yew is out, then Birch comes in,
And many flowers besides;
Both of a fresh and fragrant kinne,
To honour Whitsuntide.”

The Scotch Highlanders think very highly of the Birch, and turn it to all sorts of uses. With Burns, the budding Birch was a prime favourite in the Spring-time. The Scotch proverb, which says of a very poor man that he is “Bare as a Birk at Yule e’en,” probably refers to an old custom of stripping the bark of the tree prior to converting it into the Yule log. The tree known in the Highlands as the Drooping Birk is often grown in churchyards, where, as Scott says, “Weeps the Birch of silver bark with long dishevell’d hair.” In Scottish ballads, the Birch is associated with the dead, and more especially with the wraiths or spirits of those who appear to be living after death. The following is a good example:

“I dreamed a dreary dream last nicht;
God keep us a’frae sorrow!
I dreamed I pu’d the Birk sae green
Wi’ my true love on Yarrow.
I’ll redde your dream, my sister dear,
I’ll tell you a’ your sorrow;
You pu’d the Birk wi’ your true love;
He’s killed, he’s killed on Yarrow.”

The Birch tree is held to be under the dominion of Venus

Source : Plant Lore, Legends and Lyrics – 1892 – Richard Folkard